LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "You can’t stop the camera"

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

I can’t help but get hooked on the objects in movies. Director, cinematographer, production designer, or even an actor—why, exactly, did they put that item in front of the camera? ‘Joo Seong-cheol’s Lockers’ is a record of the movie objects that lightly landed under my gaze and, somehow, stuck there.
Everyone had been waiting. With the release of 〈Michael〉 on May 13, it shot to #1 at the weekend box office, instantly projecting a million viewers. Zafar Jackson, Michael Jackson’s real-life nephew, debuts as the youngest member of the ‘Jackson 5’ right away, drawing attention for his musical...
| Joo Seong-cheol
Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.
For a brief moment, we may feel like we understand or truly know the other person—so convinced that we believe it. Communication through music is like that. In the deepest layer of their relationship, we see it in Vivaldi’s confession—when, in the middle of the night, he comes first to Cecilia’s...
| Cineplay
The Master of the World: Buster Keaton ② ‘The Great Unflinching Face’ Loved Across Time

The Master of the World: Buster Keaton ② ‘The Great Unflinching Face’ Loved Across Time

Buster Keaton turned the ‘Great Unflinching Face’ (Great Stone Face), unaffected by whatever was happening around him, into his own unmistakable style and personality.
Buster Keaton doesn’t smile—so why do we laugh when we see him? In film, action images are always a subject of curiosity, and also something we keep investigating—an inquiry that never truly stops. Our eyes automatically respond while watching films, trying to harmonize the many formal elements...
| Joo Seong-cheol
[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

I get hooked on the music in the film. Music sometimes conveys intimate feelings a character can’t fully express through the visuals alone—or through the lines you hear. It can also serve as a window into the creator’s hidden intentions. For me, understanding film music was one way to connect with the movie. “Chua-Young’s Music Box” lets you listen more closely to the movie’s voice through music. (P.S. While listening to the music, I hope you’ll read the article.)
Following the first film, 〈Girls Band Cry: The Movie—Youth Rhapsody〉 (hereinafter 〈Youth Rhapsody〉), the sequel 〈Girls Band Cry: The Movie, Hey Our Future〉 was released in theaters on April 16. This theatrical release is a compilation film: while it faithfully follows the existing story, it adds...
| Chua-young
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol
The “Salmokji” Legend: What Was Added During the Film Adaptation Process

The “Salmokji” Legend: What Was Added During the Film Adaptation Process

The chilling folktale “Salmokji,” which had audiences fired up across broadcasts including the MBC horror talk show 〈Midnight Spook Talk〉 and various horror channels, has been reborn as a movie. Director Lee Sang-min, who has steadily immersed himself in the horror genre—through shorts such as...
| Chua-young
[First Reactions to the Press Screening] Cineplay Journalists’ Star Ratings for “Salmokji”

[First Reactions to the Press Screening] Cineplay Journalists’ Star Ratings for “Salmokji”

[First Reactions to the Press Screening] Set to be released on April 8 , 〈Salmokji〉 is a horror film in which a filming crew heads to a reservoir for a reshoot after an unidentified shape appears on the “Salmokji” road view—only to confront something in the black, deep water.
| Kim Ji-yeon
A Review of Netflix’s “BTS: The Return,” Ending the Military Hiatus That Makes Subscription Fees Feel Worth It

A Review of Netflix’s “BTS: The Return,” Ending the Military Hiatus That Makes Subscription Fees Feel Worth It

On March 21, “BTS Comeback Live: Arirang” took place. The live broadcast, a collaboration between BTS (who helped open the door to the K-pop craze) and the global OTT platform Netflix, ranked #1 in 77 countries as of the March 23 tally, and also placed in the top three across every other country...
| Seongchan Eol
The King's Warden: Director Jang Hang-jun ②

The King's Warden: Director Jang Hang-jun ② "Park Ji-hoon has a unique charm personally... Yoo Hae-jin has acting skills comparable to national actor Song Kang-ho's one-man show"

▶ 〈The King's Warden〉 Director Jang Hang-jun's interview continues in Part 1. ※ It is specified that descriptions related to the climax of 〈The King's Warden〉 have been narrated. Additionally, in the film, Lee Hong-wi is referred to by his military title 'Noh San-gun', but for the convenience of...
| Seongchan Eol
[Interview] Director Kim Bo-sol of 'Square' Says,

[Interview] Director Kim Bo-sol of 'Square' Says, "The World of North Korea, I Don't Know, So I Seek Advice and Consultation to Avoid Misrepresentation"

"Winning an Award at the Annecy International Animation Film Festival, a Special Memory I Promised to Return"
Winter, an animation perfectly suited for this winter that seeps into the skin, is coming to theaters. Kim Bo-sol's 〈Square〉 received the Jury's Special Award in the Contrechamp section at the Annecy International Animation Film Festival last June, surprising the film industry.
| Seongchan Eol