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[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Even in its second week after release, the Netflix series 〈Reassignment Education〉 topped the No. 1 spot among non-English TV shows in the global TOP 10 rankings. Cine Play reporters picked their favorite episodes.
Once again, a high-impact K-content title has burst onto Netflix. The Netflix series 〈Reassignment Education〉, which depicts the relentless efforts of the authority group for protecting teachers’ rights as it takes the side of victims and puts schools back in order, kept its No.
[Sung Chan-eol's Comics] 「Kindergarten WARS」 Turns Body Count Into Bizarre Rom-Com Fun

[Sung Chan-eol's Comics] 「Kindergarten WARS」 Turns Body Count Into Bizarre Rom-Com Fun

I'm obsessed with subculture. If a story or character feels fresh—whether in film, webtoons, games, comics, or animation—I check it out. Comics opened the world of fandom to me, and now I'm a kid-at-heart adult who reads paper volumes as e-books and webtoons on my phone. But it's less fun alone. I write [Sung Chan-eol's Comics] to share what’s more enjoyable experienced together, from the perspective of an enthusiastic generalist.
If someone asked me to sum up this comic, I'd probably hesitate and finally say, "It's fun. " It is fun. But it's not easy to explain. When I try to list impressions I come up with words that don't normally go together—funny, sweet, scary, brutal—so it's hard to convey.
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
Interview: How Park Eun-bin, Once Known as a Model Student, Went Off the Rails in ‘The WONDERfools’ (Part 2)

Interview: How Park Eun-bin, Once Known as a Model Student, Went Off the Rails in ‘The WONDERfools’ (Part 2)

▶ This interview with Park Eun-bin on 〈The WONDERfools〉Part 1 continues below. “At its core, the series is about solidarity among flawed people. ” The characters grow through that process. How did you interpret and portray Chae-ni’s process of growth. Chae-ni was, after all, living on borrowed time.
[Interview] How model-student actor Park Eun-bin became the 'official troublemaker' of 《The WONDERfools》①

[Interview] How model-student actor Park Eun-bin became the 'official troublemaker' of 《The WONDERfools》①

Park Eun-bin arrived for the interview dressed like Chaeni, the fiery heroine she plays in 〈The WONDERfools〉. In a yellow knit hood and an oversized shirt that summoned late-1990s style, she said she had worn the same outfit to the show's first script reading to recapture that initial resolve.
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
’90 Day Fiancé’ star Jenny Slatten opens up about battling ALS… “We’ll overcome it together”

’90 Day Fiancé’ star Jenny Slatten opens up about battling ALS… “We’ll overcome it together”

A couple with an age gap that moved fans around the world… first-ever disclosure of a hidden terminal illness Since 2024, she’s had swallowing difficulties and slurred speech… and more than 10 years ago, her biological father also died from ALS Husband Sumit Singh says, “My happiness in life is my wife”… shares her latest update through a new season premiering on June 1
Jenny Slatten (Jenny Slatten · 68), who captured the hearts of viewers worldwide through the popular U. S. reality program ’90 Day Fiancé,’ has come forward to share that she was diagnosed with amyotrophic lateral sclerosis (ALS, or Lou Gehrig’s disease), drawing sympathy and concern.