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Yoo Hae-jin Says Lee Min-ho Became 'Like a Handsome Younger Brother' on 〈Assassin(s)〉

Yoo Hae-jin Says Lee Min-ho Became 'Like a Handsome Younger Brother' on 〈Assassin(s)〉

In 〈Assassin 〉, Yoo Hae-jin plays Cheol-gu, a deeply human detective whose life is overturned by the 1974 presidential assassination attempt that killed Yuk Young-soo. Cheol-gu is a family man, a dependable boss and a public servant anyone would respect.
| Seongchan Eol
Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Director Ahn Jae-hoon says he turned to the skies and water in master paintings to shape the visual world of 〈Gills〉, his new animated adaptation of Gu Byeong-mo's novel 『Gills』. Ahn Jae-hoon, known for lyrical animation such as 〈Dream of a Precious Day〉 (2011), 〈Buckwheat Flowers, A Lucky Day, and...
| 문동명 객원기자

"A three-page note from my mother was the original concept": Yeon Sang-ho brings 500 million-won film 'Lost Paradise' to screens, confronting AI dilemma

Opening Oct. 21, the film follows a mother who reunites with a son recreated by AI after nine years, showcasing Kim Hyun-joo's 30 years of acting experience and Bae Hyun-sung's dramatic transformation
The hottest human dilemma forged by the coldest technology Director 'Yeon Sang-ho', who established a distinctive universe with this year's film 'Colony', returns with 'Lost Paradise', a low-budget film made for around 500 million won. Set for release Oct.
| James choi
[Lee Hwa-jung’s Deep Talk] “Even after taking the college entrance exam four times, I shamelessly made it this far.” Meeting Noh Jae-won, star of ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ③

[Lee Hwa-jung’s Deep Talk] “Even after taking the college entrance exam four times, I shamelessly made it this far.” Meeting Noh Jae-won, star of ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ③

A talk that approaches actors through deep breaths, like a detox. Film journalist Lee Hwa-jung meets the actors who inspire it.
It seems that Noh Jae-won’s potential continues to grow through his work. I’m curious what his past was like. Given his deeply introverted personality, I imagine he was never the type to put himself forward. That’s really true. I’m not good at putting myself forward, and I am shy.
| 이화정
[Lee Hwa-jung's Deep Talks] “Going head-to-head with Hyun Bin and Byun Yo-han. How do I survive?” Meeting Roh Jae-won, star of 〈Tazza: The Song of Belzebub〉 and 〈Made in Korea Season 2〉, Part 2

[Lee Hwa-jung's Deep Talks] “Going head-to-head with Hyun Bin and Byun Yo-han. How do I survive?” Meeting Roh Jae-won, star of 〈Tazza: The Song of Belzebub〉 and 〈Made in Korea Season 2〉, Part 2

A conversation that approaches actors with deep breaths, like a detox. Film journalist Lee Hwa-jung meets the actors.
From the audience's perspective, it seems the new momentum actor Roh Jae-won is showing has already begun. Looking at the cast lineup for 〈Made in Korea〉, I found myself wondering whether an actor known for his freewheeling style could adapt to acting within a demanding format — in other words,...
| 이화정
[Lee Hwa-jung’s Deep Talks] “Breaking Down the Line Between Good and Evil With Performances We’ve Never Seen Before” — A Conversation With Noh Jae-won, Actor in ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ①

[Lee Hwa-jung’s Deep Talks] “Breaking Down the Line Between Good and Evil With Performances We’ve Never Seen Before” — A Conversation With Noh Jae-won, Actor in ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ①

A talk that approaches actors with the deep breathing of a detox. Film journalist Lee Hwa-jung meets the actors shaping the screen.
I had to meet Noh Jae-won. Trying to understand the landscape of today’s screen, OTT and television productions without meeting this actor would have felt like cheating. Just looking back over the past three years, his striking performances in the series 〈D. P.
| 이화정
Park Hae-il on ‘Assassin(s)’: ‘A word of encouragement from Lee Min-ho lifts the whole set’

Park Hae-il on ‘Assassin(s)’: ‘A word of encouragement from Lee Min-ho lifts the whole set’

Actor Park Hae-il is returning to theaters with 〈Assassin 〉, a Chuseok release that revisits the 1974 killing of South Korea’s first lady through the eyes of a detective and two reporters. The film reconstructs that incident from the perspectives of Detective Cheol-gu (Yoo Hae-jin), social affairs...
| Seongchan Eol
“Suspended for letting customers dance?” Culture Ministry moves to overhaul live-club rules, puts 80.2 billion won into next year’s budget

“Suspended for letting customers dance?” Culture Ministry moves to overhaul live-club rules, puts 80.2 billion won into next year’s budget

Public debate grows over revising the Food Sanitation Act enforcement rules that led to a live club’s suspension, as next year’s popular music budget is set at 80.2 billion won and concerns mount that four major agencies could monopolize FANOMENON
Music industry trapped by outdated standards as major overhaul of Food Sanitation Act rules looms The Ministry of Culture, Sports and Tourism is finally moving to address an absurd rule that can suspend a business simply because customers swayed to the music.
| James choi
Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

※〈Intern〉 — the interview with actor Han So-hee continues from Part 1. One of the most memorable scenes comes late in the film. In the izakaya, Sun-woo opens up to Ki-ho about her situation. Wouldn't it be a burden to expose those feelings in front of such a senior actor—did you feel that pressure.
| Kim Ji-yeon
Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

In 〈The Intern〉, Han So-hee plays Seon-woo, a fast-rising fashion CEO whose drive masks deep uncertainty. The film, which opens on the 16th, is a character drama about a woman who, amid instability, gradually finds her own steadiness.
| Kim Ji-yeon