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Search results for "Director Mo Wan-il"

'The World of the Married' Director Mo Wan-il’s New Project…Lee Dong-wook and Jeon So-ni’s 'Love Affair' Confirmed

'The World of the Married' Director Mo Wan-il’s New Project…Lee Dong-wook and Jeon So-ni’s 'Love Affair' Confirmed

A night in a strange place leads to disaster…A fatal romance unveiled by the director of 'The World of the Married'
Actors Lee Dong-wook, Jeon So-ni, Jung Yu-mi, and Lee Jong-won team up with Netflix’s new original series 'Love Affair'. Netflix officially confirmed the production of director Mo Wan-il’s new work, 'Love Affair,' on the 16th, unveiling a dazzling lineup of cast members.
| James choi
'Murderer Report' Jung Sung-il,

'Murderer Report' Jung Sung-il, "I wanted to kill the director due to the absurd amount of lines"

A unique film featuring an interview with a serial killer
Actor Jung Sung-il shared his experiences during the filming of the movie 〈Murderer Report〉. On the afternoon of the 28th, a press screening and press conference for the movie 〈Murderer Report〉 took place at CGV Yongsan I-Park Mall.
| Kim Ji-yeon
[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

Geon-woo (Yoo Hee-je), an unemployed young man who quit baseball and stands at a dead end in life, and Mina (Kim Se-won), a teenage girl who wanders after her mother's death, unable to fit into her new surroundings.
Geon-woo is an unemployed young man who quit baseball and now stands at a dead end in life. Mina is a teenage girl who wanders after her mother's death, unable to fit into her new surroundings. The two characters illuminated by 〈Little Dreamers〉 are burdened by their own struggles as they try to...
| 이화정
Lee Joon-ik’s new film ‘Firefly’ finalizes cast with Park Hae-il, Park Seo-joon and Choi Dae-hoon; production starts in September

Lee Joon-ik’s new film ‘Firefly’ finalizes cast with Park Hae-il, Park Seo-joon and Choi Dae-hoon; production starts in September

A new mystery film set in 1974 from Lee Joon-ik, the acclaimed director of period films including ‘The King and the Clown,’ ‘Dongju: The Portrait of a Poet’ and ‘The Book of Fish’ An explosive acting partnership is expected between detective Park Seo-joon, who seeks to escape the stigma of guilt by association, and Park Hae-il, a mysterious figure who offers a tempting lead The cast is complete with Choi Dae-hoon joining as the deputy director of the Korean Central Intelligence Agency, with full-scale filming set to begin in September
Park Hae-il, Park Seo-joon and Choi Dae-hoon are joining forces in director Lee Joon-ik’s new film.Director Lee Joon-ik’s new film 〈Firefly〉 announced its cast Aug. 21 and unveiled its production schedule. Set in 1974, 〈Firefly〉 follows detective Jun-gyeong, who wants to escape the stigma of guilt...
| Seongchan Eol
[Photos&] Lee Jung-eun and Gong Hyo-jin’s “Gyeongju Trip”… A blood-soaked revenge drama for the youngest daughter they lost 8 years ago — press briefing site

[Photos&] Lee Jung-eun and Gong Hyo-jin’s “Gyeongju Trip”… A blood-soaked revenge drama for the youngest daughter they lost 8 years ago — press briefing site

The film holds a press briefing at the World Tower branch on the 13th… Winner of the Audience Award at the 24th Florence Korean Film Festival
‘Gyeongju Trip’ — a blood-soaked twist by Lee Jung-eun and Gong Hyo-jin… A result earned after an 8-year waitWinner of the Audience Award at the 24th Florence Korean Film Festival, a chilly revenge drama hidden behind a wholesome family tripA bond beyond the pain of loss, opening the curtainFour...
| James choi
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
| Joo Seong-cheol
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.
| 이화정
[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

When it was released in Japan, the film posed pointed questions about families with disabled relatives and issues of caregiving, and interest continues as it opened in South Korea on the 29th of last month.
There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...
| 이화정
“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

The film ‘What Should We Have Done?’ opens… It portrays the realities of psychiatric medicine in the 1980s and a family’s anguish, setting a record of 55 straight sellouts in Japan
“What Should We Have Done?” 25 years of seclusion… A painful choice by doctor parentsA hot-ticket release in Japan with 55 consecutive sellouts, shining a light on psychiatric medical realities of the 1980s and the family’s dilemmaBeyond one slice of tragedy: reflection on the other side of the...
| James choi
Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam’s ‘Tony Leung Special Exhibition’ wraps up with a screening of 〈Color, Cain〉 on Aug. 1.
This spring, Tony Leung visited South Korea. After all this time, it’s been 18 years since the first European foray of Leung—who is now past his 60th birthday—came to Seoul to promote director Ildikó Enyedi’s 〈〈Friend of Silence〉〉, the director’s first film in which Leung stars, and to promote his...
| Joo Seong-cheol