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Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Back with a remake of a classic 1977 hit, after 10 years away… “I’ll show you a new side of Kim Gun-mo,” sharing an autobiographical confession
The return of a maestro after 10 years of silence, facing an acoustic guitar A living legend of South Korea’s pop music world, singer Kim Gun-mo is coming back to the public after an unusually long stretch of silence lasting 10 years. His agency, Geon-eum Planning, said that at 6 p. m.
[Interview] 'Possible Love' Sul Kyung-gu, Part 2: “Having My Heart Exposed Is Different From Sharing It, Which Is Why Ye-ji's Love Got Through”

[Interview] 'Possible Love' Sul Kyung-gu, Part 2: “Having My Heart Exposed Is Different From Sharing It, Which Is Why Ye-ji's Love Got Through”

※This interview with 〈Possible Love〉 actor Sul Kyung-gu continues from Part 1. Ho-seok seems like a ticking time bomb. He struggles to bring himself to attend therapy, only to leave without saying a word, yet he unleashes his anger in front of Ye-ji's camera. What brought about that change.
[Interview] 'Possible Love' Star Jeon Do-yeon, Part 3: “My Approach to Acting Has Changed Since 'Secret Sunshine'—From Satisfying Others to Satisfying Myself”

[Interview] 'Possible Love' Star Jeon Do-yeon, Part 3: “My Approach to Acting Has Changed Since 'Secret Sunshine'—From Satisfying Others to Satisfying Myself”

※ This interview with Jeon Do-yeon, star of 〈Possible Love〉, continues from Part 1 and Part 2. The moon appears several times in the film, almost like a fifth main character. From the moon young Mi-ok looks at to the one the couple watches over drinks, it seems to carry a different meaning each...
[Interview] Jeon Do-yeon on 'Possible Love,' Part 1: “I Did What I Always Do. Why All This Praise?”

[Interview] Jeon Do-yeon on 'Possible Love,' Part 1: “I Did What I Always Do. Why All This Praise?”

What does Jeon Do-yeon look like through Lee Chang-dong's lens, 19 years after 〈Secret Sunshine〉 (2007). She says she doubted herself during 〈Secret Sunshine〉 when the director offered no answers. This time, she arrived on set with an open heart and a clear mind.
[Interview] 'Possible Love' Director Lee Chang-dong, Part 2: “There Is Always a Line Between When to Point the Camera and When to Turn It Away”

[Interview] 'Possible Love' Director Lee Chang-dong, Part 2: “There Is Always a Line Between When to Point the Camera and When to Turn It Away”

※ This interview with 〈Possible Love〉 director Lee Chang-dong continues from Part 1. I imagine considerable effort went into casting the four actors: Sul Kyung-gu, Jeon Do-yeon, Cho Yeo-jeong and Zo In-sung. Are there any behind-the-scenes casting stories.
[Interview] 'Possible Love' Director Lee Chang-dong, Part 1: “An Event That Formalized the Idea That Workers' Rights Don't Matter—It Would Change Our Lives, So I Made It Into a Film”

[Interview] 'Possible Love' Director Lee Chang-dong, Part 1: “An Event That Formalized the Idea That Workers' Rights Don't Matter—It Would Change Our Lives, So I Made It Into a Film”

There were several setbacks before this film reached audiences. There was even a moment when he resolved to let it go. Fortunately, however, a global company stepped in, and director Lee Chang-dong's 〈Possible Love〉 finally made its way to viewers.
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 3: “As Adults, We Must Pass On a Society Where People Can Live as Themselves”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 3: “As Adults, We Must Pass On a Society Where People Can Live as Themselves”

※ This interview with human rights activist Shin Sugok of 〈Horoomon〉 continues from Part 2. You have said, “I hope the next generation gets a free ride in a world without discrimination,” but you have also told them, “I'm sorry.
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 2: “Japan's Conscience Saved Me; Minorities Need the Majority's Strength to Fight”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 2: “Japan's Conscience Saved Me; Minorities Need the Majority's Strength to Fight”

※ This interview with human rights activist Shin Sugok of 〈Horoomon〉 continues from Part 1. In this age of algorithms, people's beliefs and opinions often become even more entrenched. As a human rights activist, how do you think we can break through that.
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 1: “Discrimination Persists Because Japan Has Never Examined Its Own Actions and Reflected on Them”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 1: “Discrimination Persists Because Japan Has Never Examined Its Own Actions and Reflected on Them”

One individual won a legal battle against a corporation. But what followed was not a jubilant cheer, but a sigh of relief at finally being able to catch her breath. The documentary 〈Horoomon〉, opening November 11, retraces human rights activist Shin Sugok's defamation lawsuit against DHC Television.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.