Search results for "Same Day Notice"

EXO Lay Not Attending Fan Meeting Due to Unavoidable Circumstances

EXO Lay Not Attending Fan Meeting Due to Unavoidable Circumstances

Team Activities Resuming After 2 Years... Returning with a Regular Album in Q1 Next Year
Group EXO member Lay did not attend the EXO fan meeting held on the 14th.The agency SM Entertainment announced through the fan community Weverse on the day, "Due to unavoidable circumstances, Lay was unable to attend the fan meeting," and added, "We apologize for the sudden notice of the change in...
Cineplay Critics on Christopher Nolan’s ‘Odyssey,’ an Entertaining Yarn and Antiwar Epic

Cineplay Critics on Christopher Nolan’s ‘Odyssey,’ an Entertaining Yarn and Antiwar Epic

Christopher Nolan’s 〈Odyssey〉, which opened Aug. 5, drew 290,000 moviegoers on its first day in South Korea and suggests the strong U.S. box-office trend may continue into South Korea. Directed by Christopher Nolan and starring Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Zendaya...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Anyone who follows Japanese pop culture likely knows one writer by name: Sakamoto Yuji. A steady source of acclaimed TV dramas, Sakamoto has in recent years also produced consistently strong film screenplays. He teamed with Koreeda Hirokazu on 〈Monster〉 and with Tsukahara Ayuko on 〈The First Kiss〉.
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

※〈Husbands〉 actor Jin Sun-kyu interview continues from Part 1. Netflix film 〈Husbands〉 brings together a seven-member cast led by Jin Sun-kyu and Gong Myung, alongside Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee and Jeon So-min. What did you expect as that lineup came together.
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

※ The interview with Jun Ji-hyun about 〈Colony〉 Part 1 continues here. Also note that the following contains spoilers for the film 〈Colony〉. Many people said she still looked great even in a blood-soaked raincoat. I’m just grateful people saw it that way.
[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

“My 'headspin'? I want to be the best actor in the world. That's all.”
▶Actor Kang Dong-won's interview on 〈Wild Thing〉 continues from Part 1. 〈Wild Sing〉's Hyun-woo sees the 'headspin' as the symbol of a dream he can never give up; if Kang Dong-won has a dream like that, what is it. I just want to be the best actor in the world; simply put, that's all there is.
[Interview] “In the Flow of the December 3 Coup Attempt, the Most Decisive Moment Is Namtaeryeong.” Director Kim Hyun-ji of ‘Namtaeryeong’ ①

[Interview] “In the Flow of the December 3 Coup Attempt, the Most Decisive Moment Is Namtaeryeong.” Director Kim Hyun-ji of ‘Namtaeryeong’ ①

Seventeen tractors belonging to the Korean National Federation of Farmers’ Clubs (JeonNong), pushing forward to stand up to a coup in the guise of “martial,” were blocked by police at Namtaeryeong in Seocho-gu, Seoul.
Since that unbelievable day—December 3, 2024, when the president declared a state of emergency—another day continued with nights full of uncertainty and anxiety. Seventeen tractors belonging to the Korean National Federation of Farmers’ Clubs , advancing to confront the president’s coup in the...