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Search results for "Same Day Notice"

EXO Lay Not Attending Fan Meeting Due to Unavoidable Circumstances

EXO Lay Not Attending Fan Meeting Due to Unavoidable Circumstances

Team Activities Resuming After 2 Years... Returning with a Regular Album in Q1 Next Year
Group EXO member Lay did not attend the EXO fan meeting held on the 14th. The agency SM Entertainment announced through the fan community Weverse on the day, "Due to unavoidable circumstances, Lay was unable to attend the fan meeting," and added, "We apologize for the sudden notice of the change in...
| 김지민
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
| 이화정
[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

A deeply human story has found a deeply human actor. Min-jun (Justin H. Min) uses informal speech with Chun-hee (Kim Hye-ok) the moment they meet. Unaware of the hierarchy, etiquette and subtle distance between formal and informal Korean, the outsider’s familiar way of speaking becomes less an...
| Kim Ji-yeon
Interview: Lee Joon-hyuk Says ‘〈Lotto Winner Still Goes to Work〉’ Offers Comfort to Office Workers

Interview: Lee Joon-hyuk Says ‘〈Lotto Winner Still Goes to Work〉’ Offers Comfort to Office Workers

※ This interview with actor Lee Joon-hyuk about 〈Lotto Winner Still Goes to Work〉 continues from Part 1. As winning the lottery can sometimes mark the start of misfortune, great luck can also turn into unhappiness. I think Gong Eun-tae made good use of that luck in the drama.
| Kim Ji-yeon
Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Director Julia Ducournau, who won the Palme d'Or at the Cannes Film Festival with the film 〈Titane〉, returns with her new work 〈Alpha〉. Ducournau built a distinctive cinematic worldview by depicting forbidden desire with striking mise-en-scène in films such as 〈Raw〉 and 〈Titane〉.
| Chua-young
Lee Min-ho on ‘〈Assassins〉’: ‘On Set, I’m Just Myself — People Can’t Imagine It Unless They’ve Seen It’

Lee Min-ho on ‘〈Assassins〉’: ‘On Set, I’m Just Myself — People Can’t Imagine It Unless They’ve Seen It’

In 〈Assassins〉, rookie reporter Yeong-il, played by Lee Min-ho, emerges as the film’s driving force. A rookie reporter on the social affairs desk, he goes to cover the August 15, 1974 Liberation Day event and witnesses the deaths — first the first lady, and then the female student he had been...
| Seongchan Eol
Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Director Ahn Jae-hoon says he turned to the skies and water in master paintings to shape the visual world of 〈Gills〉, his new animated adaptation of Gu Byeong-mo's novel 『Gills』. Ahn Jae-hoon, known for lyrical animation such as 〈Dream of a Precious Day〉 (2011), 〈Buckwheat Flowers, A Lucky Day, and...
| 문동명 객원기자
Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

※〈Intern〉 — the interview with actor Han So-hee continues from Part 1. One of the most memorable scenes comes late in the film. In the izakaya, Sun-woo opens up to Ki-ho about her situation. Wouldn't it be a burden to expose those feelings in front of such a senior actor—did you feel that pressure?
| Kim Ji-yeon
Cineplay Critics on Christopher Nolan’s ‘Odyssey,’ an Entertaining Yarn and Antiwar Epic

Cineplay Critics on Christopher Nolan’s ‘Odyssey,’ an Entertaining Yarn and Antiwar Epic

Christopher Nolan’s 〈Odyssey〉, which opened Aug. 5, drew 290,000 moviegoers on its first day in South Korea and suggests the strong U.S. box-office trend may continue into South Korea. Directed by Christopher Nolan and starring Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Zendaya...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol