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Search results for "The Time of Seeds"

'The Moment the Paper Rings', 'Sura' Hwang Yoon, Meets 'The Time of Seeds' Director Seol Soo-an!

'The Moment the Paper Rings', 'Sura' Hwang Yoon, Meets 'The Time of Seeds' Director Seol Soo-an!

Environmental Documentaries All Gather! GV Lineup in the Spotlight!
The documentary film 〈The Moment the Paper Rings〉 won the Grand Prize in the Korean Competition section at the 22nd Seoul International Environmental Film Festival and has been meeting audiences in theaters since November 12, ahead of the Winter Olympics to be held early next year.
| Chua-young
[New Animation] Aardman’s ‘Shaun the Sheep: The Beast of Mossy Bottom’ Hits Theaters… A Halloween Oddity Brought to Life with 283 Puppets

[New Animation] Aardman’s ‘Shaun the Sheep: The Beast of Mossy Bottom’ Hits Theaters… A Halloween Oddity Brought to Life with 283 Puppets

Clay-animated film features 47 sets and 1,220 accessories; opens in theaters on the 28th
A stop-motion showcase crafted with painstaking artistry, blending classic horror with an unexpected twist The latest film from British animation powerhouse Aardman Studios, ‘Shaun the Sheep: The Beast of Mossy Bottom,’ opens in South Korean theaters on the 28th.
| James choi
[Written Interview] 'Street Fighter' ① Director Kitau Sakurai: “I got chills when Ken and Ryu finally stood back-to-back.”

[Written Interview] 'Street Fighter' ① Director Kitau Sakurai: “I got chills when Ken and Ryu finally stood back-to-back.”

Fated rivals Ryu (Andrew Koji) and Ken (Noah Centineo) enter the World Warrior Tournament at Chun-Li’s (Callina Liang) invitation.
〈Street Fighter〉 is back. In 1993, fated rivals Ryu and Ken join the World Warrior Tournament at the invitation of Chun-Li , a mysterious woman. The tournament is an arena where fists, fate and fury collide in brutal fashion.
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
Mokpo City’s «Indie Film Festival on Route 1» Opens Next Month on Aug. 13; About 70 Domestic and International Films to Screen Aug. 13-17

Mokpo City’s «Indie Film Festival on Route 1» Opens Next Month on Aug. 13; About 70 Domestic and International Films to Screen Aug. 13-17

Mokpo reels from a «budget freeze» after local authorities cut 15 million won—despite securing national funding, the organizers are left to cover 28 million won out of pocket.
Even with a national-funding win, Mokpo’s «cinema paradiso» hits a «budget chill» The «13th Mokpo Route 1 Indie Film Festival», set to open on Aug. 13, has run into serious financial obstacles. The farce, officials say, came despite the festival being selected for a central-government call for...
| James choi
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

That “long, long night” with a felt temperature of minus 20°C became, somehow, the “brightest night.” “This cute and spicy struggle—that’s the core of Namtaeryeong!”
​ ▶ 〈Namtaeryeong〉 The interview with Director Hyunji Kim continues from Part 1.
| 이화정
The Master of the World, Buster Keaton ① The Golden Age of Silent Film, Inventor of an Acrobatic Film Language

The Master of the World, Buster Keaton ① The Golden Age of Silent Film, Inventor of an Acrobatic Film Language

Buster Keaton, whom André Bazin and David Bordwell praise in unison, shows the limits of motion images through the boundless use of the human body and space.
Buster Keaton is one of the great artists who fully invented a brand-new film language of his own. Film scholar David Bordwell, in 「Film Art」, speaks about the comedy of Keaton’s “space” — the kind of freedom-to-move that he demonstrates — saying, “David Bordwell’s slapstick comedy confirms André...
| Joo Seong-cheol
[Interview] “Plants Can Be Erotic, Too” ‘Friend of Silence’ Director Ildikó Enyedi

[Interview] “Plants Can Be Erotic, Too” ‘Friend of Silence’ Director Ildikó Enyedi

With her latest work, Hungarian-born director Ildikó Enyedi, 〈Friend of Silence〉, is drawing attention as the second film in which Tony Leung has appeared outside the Chinese-language sphere since 〈A City of Sadness and Flower of Shanghai〉 (2021).
| 문동명
'The King and the Man' Ten Million Secrets, Outside the Winner's Sentence

'The King and the Man' Ten Million Secrets, Outside the Winner's Sentence

What the movie touches is the outside of the sentences in history books. It imaginatively restores the time when Danjong shone as the most kingly existence for a brief moment.
History is usually left as the sentences of the winners. The lives of the losers are condensed into a few lines of records. Danjong has also been remembered that way. The deposed young king, the exiled boy, the unfortunate monarch who ultimately perished.
| Cineplay