![‘Shaun the Sheep: The Beast of Mossy Bottom’ [Provided by Pan Cinema. No resale or database use]](https://cdn.www.cineplay.co.kr/w900/q75/article-images/2026-10-27/9aaeab81-5382-4140-920a-34d53e06a046.jpg)
A stop-motion showcase crafted with painstaking artistry, blending classic horror with an unexpected twist
The latest film from British animation powerhouse Aardman Studios, ‘Shaun the Sheep: The Beast of Mossy Bottom,’ opens in South Korean theaters on the 28th. The third feature film starring the young sheep Shaun, it vividly depicts a series of extraordinary mishaps set off by a mysterious potion.
The story unfolds during Halloween season. Shaun and the flock, who live on a farm, carefully grow pumpkins to make lanterns for the Halloween festivities. But an unexpected blunder by the Farmer turns their painstakingly tended pumpkin patch into a wasteland in an instant. Shaun turns to a mysterious science book of unknown origin and manages to develop a special potion that transforms pumpkin seeds into giant pumpkins overnight.
The pumpkins grow successfully, but the story takes a new turn when the potion falls into the Farmer’s hands. After he applies it to himself, strange, long hair begins growing all over his body. The townspeople mistake him for a terrifying monster, plunging the area into chaos.
Aardman Studios is a pioneer of clay animation, earning worldwide acclaim through the Wallace & Gromit series and the 2000 film Chicken Run. The stop-motion technique involves slightly reshaping puppets made from materials such as clay, then filming them one frame at a time—a process that demands enormous amounts of time and meticulous technical skill.
This latest film is also imbued with Aardman’s signature craftsmanship. A total of 30 animators worked on it, hand-building and animating 47 detailed sets and 283 puppets. The film boasts extraordinary attention to detail: more than 1,220 mouth-shape pieces alone were used to create the characters’ varied expressions.
The film is also notable as the first in the series to draw on the horror genre. Homages to landmark classics of horror cinema—including Alfred Hitchcock’s 1960 film Psycho and the 1974 film The Texas Chain Saw Massacre—are woven throughout. It also playfully parodies scenes from pop icon Michael Jackson’s legendary Thriller music video, offering audiences a visual treat.
The film is co-directed by Steve Cox and Matthew Walker, both recognized for their exceptional directing.

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