

The great master of world cinema, director Yasujiro Ozu's most delightful and charming masterpiece, 〈Hello〉, is set to be released in domestic theaters on February 11 (Wednesday), and the main poster (2 types) has been unveiled.
Along with Akira Kurosawa and Kenji Mizoguchi, director Yasujiro Ozu is considered one of the three great masters representing Japanese cinema. He has captured the everyday lives of families, lovers, and neighbors with his unique delicate and restrained perspective. In particular, he not only depicts the cracks in Japanese society changing rapidly during modernization but also portrays the emotions of people living within it, establishing a unique cinematic world with exquisite and refined mise-en-scène. His works remain classics that do not lose their luster over time, and Yasujiro Ozu continues to receive unwavering respect and love from filmmakers, critics, and audiences worldwide to this day.
Among his filmography, 〈Hello〉 is considered one of his most delightful and charming works, and it is drawing attention as it will be released in theaters on February 11 (Wednesday) in a digital remastered version. The fact that this work, which has only been accessible through special exhibitions or film festivals, can now be seen in a formal theater release makes this news even more meaningful for film fans. Above all, the opportunity to fully experience a timeless classic through remastering aligns perfectly with the start of the new year, making it a special gift that is highly anticipated.
〈Hello〉 is Yasujiro Ozu's most delightful and charming masterpiece, where the 'silence' of children asking for a TV turns the world of talkative adults upside down. The quaint village scenery and the innocent actions of children living among families and neighbors evoke laughter, making this work consistently referred to as Ozu's most approachable and beloved masterpiece.
The main poster (2 types) of 〈Hello〉, released alongside the news of its February 11 (Wednesday) release, also captures the warm essence and refined aesthetics of the film, drawing attention. The scene of brothers 'Minoru' and 'Isamu' on their way to school and 'Isamu' sitting at the table holding a small bowl with both hands is an ordinary moment of daily life, yet it encapsulates Ozu's gentle perspective. 'Isamu's' comical expression and warm colors convey warmth just by looking at them, hinting at the humor and kindness that the film embodies. This foreshadows the charm of 〈Hello〉, which continues to captivate audiences across generations, raising expectations for the film even further.



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