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Search results for "Yeon Sang-ho World"

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
| James choi
WOWPOINTX teams up with Yeon Sang-ho for Netflix series “Gas Man” — main trailer and poster unveiled

WOWPOINTX teams up with Yeon Sang-ho for Netflix series “Gas Man” — main trailer and poster unveiled

Yeon Sang-ho, who serves as executive producer and screenwriter, will reboot 〈Gas Man No. 1〉 (1960) as a Netflix series made up of 8 episodes.
Netflix has released the main trailer and key art for 〈Gas Man〉, a Netflix series slated for worldwide release on July 2, 2026. 〈Gas Man No. 1〉 (1960), the legendary film, will be rebooted as a Netflix original Japanese series with a total of 8 episodes.
| Joo Seong-cheol
Yeon Sang-ho's Korea-Japan Co-Production Series 'Gas Man' to Debut July 2

Yeon Sang-ho's Korea-Japan Co-Production Series 'Gas Man' to Debut July 2

Starring Oguri Shun and Aoi Yuu, the Korea-Japan co-production mounted a production so large it closed the area around Tokyo Station for filming.
Netflix will release 〈Gas Man〉, a Korea-Japan co-production series executive-produced and co-written by Yeon Sang-ho, worldwide on July 2. On June 9, Netflix unveiled the main trailer and key art for 〈Gas Man〉. The Japanese original series reboots the legendary 1960 tokusatsu film 〈Gas Man No.
| Kim Ji-yeon
BTS Keeps the Afterglow Going With Busan Shows…Lotte Cinema Hosts Late-Night Screenings for ARMY

BTS Keeps the Afterglow Going With Busan Shows…Lotte Cinema Hosts Late-Night Screenings for ARMY

Recliner seats will be kept available for rest until 7 a.m. the next day after the film screenings at the Busan flagship store on the 12th and 13th…A late-night haven for ARMY at home and abroad
A theater wrapped in a violet tide—‘Purple Night in Busan’ for ARMYMore than just a viewing experience, it’s a place for complete rest. Lotte Cinema has unveiled an unprecedented late-night sanctuary built for the world’s ‘ARMY’.
| James choi
[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

I’m interested in people. Even actors already drawing attention may be less famous today than they will be tomorrow. 'Kim Ji-yeon’s Jewel Box' introduces performers reaching new highs by the day. Think of it as spotting a breakout before everyone else does.
Writing about an actor who seems to be everywhere on TV can feel almost too obvious, but Yoon Byung-hee is in the midst of another prime that is impossible to ignore. Yoon Byung-hee has recently appeared in 〈My Royal Nemesis〉, 〈Sold Out on You〉 and 〈21segi Daegunbuin〉 — three dramas that aired...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie GenreThe hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
| James choi
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

A talk that approaches the actress with deep, measured breaths, like detoxing. Film journalist Lee Hwa-jeong speaks with the actors she has met.
▶ The meeting with actress Yeon Lee continues in Part 2. ​Unlike how she appears—bright-minded and bold in taking on challenges—what I heard is that the reason she started acting in the first place was a process meant to heal her fear.
| 이화정
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol