![BTS, appearing on the U.S. ‘The Tonight Show Starring Jimmy Fallon’ [Provided by BigHit Music. Reproduction and database use prohibited]](https://cdn.www.cineplay.co.kr/w900/q75/article-images/2026-04-02/d70dea35-48df-4977-ba00-ae147f79881d.jpg)
Taking Over Billboard—BTS’s Secret Behind a Massive “song camp” in the U.S.
BTS’s 5th studio album ‘Arirang’ (ARIRANG) has claimed the top spot on the U.S. Billboard charts. At the center of this unprecedented success is a large-scale “song camp” that took place on location in the United States. Under the guidance of BigHit chairman Bang Si-hyuk, leading producers from around the world came together and submitted draft tracks—an astonishing 200 to 300 songs. After intense competition, only 14 tracks made the final cut for the album. In an era when large-scale song camps—where capital and manpower are concentrated within the U.S. mainstream music scene—have largely faded from view, this stands out as clear evidence of ‘K-pop’’s overwhelming position in the American market.
![Bang Si-hyuk, Chairman of HYBE [Provided by HYBE. Reproduction and database use prohibited]](https://cdn.www.cineplay.co.kr/w900/q75/article-images/2026-04-02/4bec6c60-2c72-4b12-a528-035c3cafcc9d.jpg)
Bang Si-hyuk’s Winning Formula: “The Sound of Korea” Drawing the World In
Another major factor behind the album’s explosive response is the bold inclusion of ‘Korean elements’ by Bang Si-hyuk. “Body to Body” uses the melody of the traditional Korean folk song Arirang, while “No.29” features the resonant tone of the Seongdeok Daewang Bell (성덕대왕신종). “Aliens” incorporates distinct cultural motifs—such as the middle-mori rhythm and figures like Kim Gu—directly into the lyrics. Bang Si-hyuk presented a clear intention, saying, “This is a moment I’ll never forget—when people of various races sing Arirang together, in unison.” Even beyond the stage, their cultural outreach made an impact: they shared Korean everyday living culture by giving hosts on U.S. talk shows indoor slippers, and they provided floor cushions for the audience at the Guggenheim Museum.

A Lasting Global Landmark Beyond Fandom: “BTS tourism theory”
During the album’s production process, Bang Si-hyuk laid out a broad vision known as ‘BTS tourism theory’. The strategy is designed to move ‘BTS’ beyond the limits of any single fandom—‘ARMY’—so that, like a world-famous destination that people around the world want to visit at least once in their lifetime, it becomes a permanent pop-culture landmark. The free performance at Gwanghwamun Square brings this vision to life. ‘BTS’ is evolving from just artists into a global cultural landmark people from all over the world come to see.

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